1920s

Interview with Foote and Friends on Film

Hello!

Please check out our recent interview with Foot and Friends on Film. The interview was by the multi-talented Heather Babcock!

http://footeandfriendsonfilm.com/2018/08/18/interview-with-killer-b-cinema/
Please also check out our next show on September 1st!

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Killer B Cinema: Battle in Outer Space & Turkish Star Trek

killer-b-cinema-postcard__sep-2018September Killer B Cinema has an outta this world double bill!!! Battle in Outerspace and Turkish Star Trek will not disappoint! The perfect double bill and all for the low, low price of $5. That’s right FIVE DOLLARS! And there will be trivia with prizes! Spacesuits are optional! Audience Participation approved!

Doors (back performance space) open at 8 pm and the movies begin at 8:30 pm.

Imperial Pub

54 Dundas St E, Toronto, Ontario M5B1C7

Battle in Outer Space is a 1959 Japanese science fiction film produced by Toho Studios. Directed by Ishirō Honda and featuring special effects by Eiji Tsuburaya, the film starred Ryo Ikebe, Koreya Senda and Yoshio Tsuchiya.

The film was released theatrically in the United States in the summer of 1960 by Columbia Pictures.

Turkish Star Trek is a 1973 Turkish cult comedy/drama science fiction film, produced and directed by Hulki Saner, featuring Sadri Alışık as a Turkish hobo who is beamed aboard the Starship Enterprise.

Each month join Lizzie Violet & Zoltan Du Lac for a double bill of B-moves from the 1930s to 1980s!

Thank you to the Imperial Pub and their staff! They make our monthly event extra amazing!

We hope to see you at The Imperial!

Facebook Invite: https://www.facebook.com/events/456204541455651/

Killer B Cinema Presents: Starcrash and Plan 9 from Outer Space!

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July Killer B Cinema is out of this world! Starcrash and Plan 9 From Outer Space will not disappoint! The perfect double bill and all for the low, low price of $5. That’s right FIVE DOLLARS! And there will be trivia with prizes! Spacesuits are optional! Audience Participation approved!

Doors (back performance space) open at 8 pm and the movies begin at 8:30 pm.
Where: The Imperial Pub Performance Space, 54 Dundas Street East
Facebook Invite: https://www.facebook.com/events/1963093910686899/
Facebook page: https://www.facebook.com/killerbcinema/

Starcrash (94 minutes) is a 1978 American space opera film directed by Luigi Cozzi and written by Cozzi and Nat Wachsberger. The cast includes Marjoe Gortner, Caroline Munro, Christopher Plummer, David Hasselhoff and Joe Spinell.

Plan 9 from Outer Space (80 minutes) (originally titled Grave Robbers from Outer Space) is a 1959 American independent black and white science fiction film, written, produced, directed, and edited by Ed Wood, that stars Gregory Walcott, Mona McKinnon, Tor Johnson and Vampira (Maila Nurmi). The film also posthumously bills Bela Lugosi as a star (silent footage of the actor had actually been shot by Wood for another, unfinished film just prior to Lugosi’s death in August 1956). Plan 9 from Outer Space was released theatrically in 1959 by Distributors Corporation of America (then credited as Valiant Pictures).

A huge thank you to this month’s prize sponsors! The Haunted Walk, Jeff CottrillLisa de NikolitsCaroline ColantonioSupertashToronto Poetry Slam AND a raffle for a special Plan 9 From Outerspace creation by Unravelled: Crocheted Items by Carlin!

Each month join Lizzie Violet & Zoltan Du Lac for a double bill of B-moves from the 1930s to 1970s!

Thank you to the Imperial Pub and their staff! They make our monthly event extra amazing!

We hope to see you at The Imperial!

Important: The Imperial Performance Space is a licensed establishment, outside alcohol is not allowed. Anyone in possession of outside alcohol will be banned from both the event and the establishment. We appreciate your co-operation in this matter.

Killer B Cinema: Santo & Blue Demon vs The Monsters and Kilink

June is International Fight Club Month and do we have some monsters for you for you. Kilink and Santo & The Blue Demon vs The Monsters will not disappoint! The perfect double bill and all for the low, low price of $5. That’s right FIVE DOLLARS! And there will be trivia with prizes! Lucha Libre masks are optional! Audience Participation Approved!

Doors (back performance space) open at 8 pm and the movies begin at 8:30 pm.
Where: The Imperial Pub Performance Space, 54 Dundas Street East
Facebook Invite: https://www.facebook.com/events/158830411451532/
Facebook page: https://www.facebook.com/killerbcinema/

Kilink: Strip and Kill! (1967 — 93 minutes running time) Kilink is between 2 rival gangs and manages to turn one against the other. All of them are after a precious microfilm and a big foreign treasure. Kilink proves to be the most perfect Fantomas of them all, changing disguises more often than he changes socks.

Santo & The Blue Demon vs The Monsters (1970 — 85 minutes running time) To foil his plan for world domination, wrestling superheroes El Santo and Blue Demon battle the mad Dr. Halder and his army of reanimated monsters.

Each month join Lizzie Violet & Zoltan Du Lac for a double bill of B-moves from the 1930s to 1970s!

Thank you to the Imperial Pub and their staff! They make our monthly event extra amazing!

We hope to see you at The Imperial!

Killer B Cinema: Lady Frankenstein & Bride of the Monster

April is Mad Scientist Appreciation month and do we have some mad scientists for you. Lady Frankenstein and Ed Wood’s Bride of the Monster will not disappoint! The perfect double bill and all for the low, low price of $5. That’s right FIVE DOLLARS! And there will be trivia with prizes!

Doors (back performance space) open at 8 pm and the movies begin at 8:30 pm.

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Lady Frankenstein (99 min) is a 1971 English-language Italian horror film directed by Mel Welles and written by cult writer Edward di Lorenzo. It stars Rosalba Neri (under the pseudonym Sara Bey), Joseph Cotten, Mickey Hargitay and Paul Müller.

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Bride of the Monster (75 min) is a 1955 American science fiction horror film directed, written, and produced by Edward D. Wood Jr., and starring Bela Lugosi, along with Tor Johnson, Tony McCoy and Loretta King.

The film is considered to have Wood’s biggest budget ($70,000). Production commenced in 1953 but, due to further financial problems, was not completed until 1955.

A sequel, entitled Night of the Ghouls, was finished in 1959, but due to last-minute financial problems, was not released until 1984.

Thank you to our prize sponsors Bren Clews, Tom Davey, Alumni Theatre, Toronto Film Noir Syndicate, Jonathan Kociuba and Drunken Cinema!

Each month join Lizzie Violet & Zoltan Du Lac for a double bill of B-moves from the 1930s to 1970s!

Thank you to the Imperial Pub and their staff! They make our monthly event extra amazing!

We hope to see you at The Imperial!

 

Redheads Writing in Cafes — let’s rock and or roll unless it’s with Jack.

1910-Palm-room-cafeArchtop Cafe has become one of my favourite neighbourhood cafes. It’s located in Bloor West Village and is about twenty-minute walk from my home. There are a few things that make this cafe one of my favourites.  The staff are top notch and make you feel at home right away. There are classics from the 1920s to the 1980s being piped out of the sound system and in the theme of the music, the cafe sells vinyl, both new and used. A few months ago, they opened a section of their basement as a used vinyl shop. Vinyl lovers, you need to check out this place.

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The cafe is a nice size and has quite a few tables, it would be a great place if someone was considering holding a reading. At one point they had live music on Thursday and Friday nights and though they have put that on hold, it may resume again in the fall. Out front during warmer weather, there are a few cast iron bistro tables. The other day, while running errands, we sat out there sipping lattes as we watched the villagers walk by.

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I love that I live in a part of town that has neighbourhoods with their own individual personalities. Each feels a little like the small villages they use to be.  High Park, The Junction, Roncesvalles and Bloor West Village.

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In the basement of the Annette Street, Public Library is the West Junction Historical Society. I need to visit the Historical Society when it’s open to the public as it will assist me with my research. I also need to find a day to go to the Toronto Reference Library. I keep putting it off and need to just suck it up and go. One the problems of living in a neighbourhood that you are in love with and has almost everything you need within walking distance is you tend to not leave the area. Personally, I am also someone who can go days or even weeks without leaving the hood. I would much rather go to places that I can walk or cycle to. If only the information I needed from the Toronto Reference Library was online!

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In other news and in the last few weeks, I’ve been seeing promotions for the new documentary on H.H. Holmes. My friends also know that I’m a bit of an H.H. Holmes aficionado so I often get tagged in things referencing him. I am on the fence about watching the documentary as the topic it’s about has already been debunked several times and I honestly think his great grandson is just trying to cash in on the fame, especially with the movie Devil in the White City with Leonardo DiCaprio coming out and the popularity of the novel.  Every time I hear about the documentary on the History Channel I feel a rant brewing and ready to bubble up. H.H. Holmes was NOT Jack the Ripper! I could get into a whole detailed timeline showing why he wasn’t, or the many glaring and obvious reasons that he could not be Jack, but I would rather leave that fun to you. Seriously, go read up on both of them. Though the history is gruesome, it is also very fascinating and once you educate yourself, you will also realize how impossible it was for H.H. Holmes to be Jack.

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I’m going to end this blog post before I go off on a serial killer tangent.

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Until next time…. stay shadowy.

 

Redheads Writing in Cafes #4 and Why I Support Local Indie Artists

Just to warn you. There may be swears.

The last few days have been lovely. Wednesday, I hung out with my sister from a whole other family, October. Thursday, live music at C’est What with Neil Traynor and band. Had another productive cafe writing session with Heather Babcock and John Oughton on Thursday, Saturday, my fella and I crammed in watching Street Poetry in High Park, a second viewing of the cherry blossoms and then dinner and live music in The Junction. After an amazing few days of enjoying local independent art, music, and poetry with the people I love, fellow creatives, why do I not feel content? Why instead am I feeling contempt? Here’s why.

This has been nagging at me, scratching at my gray matter for some time now It’s been bubbling just below the surface, pulling at me, like that song, that sits on the tip of your tongue and it’s driving me mad. I have talked to others about it. I’ve occasionally posted status messages about it and tried to get people’s attention and their consideration for it. Now… now I’m at my wit’s end and I’m pissed. No, I’m fucking angry. It’s time to make a change.

Ok.

Ok…

Those were the swears. I can’t promise those were the last.

What initially pushed me to the brink was a group of four women who were in their early twenties. As we were having our writing session at a local Mom and Pop run cafe Thursday, these young women were standing in line waiting to be served. A long line. The cafe was busier than normal due to the cherry blossoms in High Park. When they were about three people away from being served, one of the young women loudly exclaimed, “I want to support local, but they are too slow here. Let’s go to Starf*cks.” (she didn’t call it that and used the proper name, I did. Guess who will never be sponsoring me.).  Did these women not notice the cherry blossom festival chaos across the street and consider it might be affecting the businesses in the hood? If you really wanted to support local, wouldn’t you be patient? Wouldn’t you take how busy the shop was into consideration?  I did.

This, however, isn’t what I want to talk about. It was what triggered everything.  Thursday night, a good friend was playing with his band at a popular downtown venue. When it came time to pass the tip jar, we went around to everyone who was, what we thought, enjoying the music. We asked everyone to throw in a loonie or toonie to help support local music. Some put money in funds (mostly other artists), while the corporate types (I have another name for them, but won’t write it) declined — very rudely in most cases. This really bothered me.

I’ve put on many events and attended an even greater number of them. I’ve observed when the tip jar is being passed around, for the most part, artists will always put money in, even if it is whatever loose changed they have in their pockets. Artists will go out to other artists events without batting an eye. We support each other, promote each other, help out at each others gigs, artist supporting artists. This, sadly, does not help us grow, help us get noticed outside of our community and when we try to get others to come to events or if they are at an event, put a few dollars in the tip jar, they don’t or rather won’t and they make you feel awful for asking.  On Thursday night, we received snarky comments and evil stares when we asked. I felt that we were asking for their first born (no thanks) or for a donation of blood. (again no thanks) It was frustrating.

Once upon a time, artists were revered. If this was the 1920s or 1930s we would be looked upon at a higher level, would make a nice living from our art and be respected. Why is it, in 2017, we are looked down upon, brushed off and disrespected? We are asked to work for free and when we do get paid, it’s for way less than minimum wage.  We struggle to get anyone, who isn’t an artist to come out to events (when was the last time our families, workmates or other acquaintances came to see us).  We work hard to promote our events, prepare for the events and then put on the show.  How do we get people to start supporting local artists? How do we get them out to events? How do we get them to respect us?

This city is full of performers, writers, playwrights, theaters, bands, songwriters, singers, visual artists, photographers, poets, spoken word artists, designers, painters, sculptors, magicians, burlesque, comic artists, comedians — the list goes on. How do we get the average Joe to support us? How do we get the city and venues to support us?  And speaking of venues, how to we keep the supportive ones going?  I see my fellow artist struggling every day to get their art out there and to survive financially. I see musicians like Cynthia Gould trying to get awareness out there through her TO Rock Cult Facebook page. Yesterday I witnessed Street Poetry trying to raise awareness. I applaud these artists and all the others that are making an effort, but my question, the thing that is bothering me, nagging at me is how do we as one huge collective, make this happen on a bigger scale? How do we get the populous to once again respect and revere artists?

I will keep promoting, supporting and helping my fellow artists. I will continue to walk around venues asking everyone to put some money in a tip jar. I will keep posting and voicing out how much we need to support independent artists, but I need help. Cynthia needs help. Every person who is fighting to survive as an artist needs help!  Here is where you can help. Everyone who reads this, please share it. If you see an artist’s having an event, go to it, buy their art, books, CDs, merch. Post about their events, tell your friends. Better yet, gather your friends and bring the to events. If you are an artist, keep promoting your fellow artists. Let’s, as one huge collective get the rest of the world to see us!

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SUPPORT LOCAL ARTISTS!