classic movie

Stay The Fuck Home Creature Features Edition

I find some of the best cinematic entertainment, for me anyway, is b-movies. Especially, 1950s creature features and scifi. Honestly, how can you not. Not to mention how inspiring it is to hear stories about what the creators did to ensure their movies got made! Below are some really popular b-movies as a well as some of my all time favourites!

I have most of these in box sets, but you can find many on YouTube!

What are some of your favourite creature features?

Enjoy!

(links below are a combo of full movies and trailers)

Creature From The Black Lagoon

Little Shop of Horrors

Godzilla

Famous Monsters The Wolf Man

Famous Monsters The Mummy

Other B Movie Creature Features I Love Below are some of my favourite b-movie creature features that I’ve watch many times over!

The Giant Gila Monster

Frankenstein Meets the Space Monster

Lady Frankenstein

Attack of the Giant Leeches

The Amazing Colossal Man

Them!

The Giant Spider Invasion

Stay The Fuck Home Guest Post By Philip Cairns

Turning 66 in February, and self-isolating due to Covid-19, has brought back a flood of memories. I see, now, that if I’d behaved differently, or said something different, the outcome of so many past experiences would have been much more positive. It’s painful because I can’t go back and relive them. 

Marilyn Monroe and Elizabeth Taylor are two of my favourite movie stars. I was going to write a chronological timeline, focusing on their impact on my life. But, as the mind works, the memories came jumbling all over in time. 

My first memory of Marilyn Monroe was when I was eight, playing in the sandbox, in front of our cottage, at Lake Scugog. We went there every summer until my father’s business went bankrupt and he could no longer afford to rent the cottage. We (my 4 siblings and I, plus my mother) would spend the whole summer up there. My Dad was working in Toronto and would come up on weekends. 

My grandmother opened the screen door of the cottage. 

“Marilyn Monroe’s dead. It’s on the radio.” 

Nanna showed me a picture of Marilyn in a movie magazine. (Movie magazines were the People magazine of their day, only way more gossipy.)

“She’s so beautiful,” I remember thinking. It was the beginning of a lifelong love affair. 

I watched a lot of TV when I was in school. I saw Marilyn in “How to Marry a Millionaire”, “The River of No Return” and “The Seven Year Itch” many, many times. I started reading movie magazines around the time of the sandbox incident. That’s how I discovered Elizabeth Taylor. In 1962, the same year Marilyn died, Elizabeth was in Rome shooting “Cleopatra” and having a scandalous love affair with her co-star, Richard Burton. Both were already married so it was hot gossip. Their pictures were on the cover of every magazine. Inside, were stories about “le scandale” and the making of “Cleopatra”. I couldn’t wait to see the movie when it came out in 1963 but it was classified “Adult Entertainment”. I was only 9 so I was too young to see it. 

Then Liz and Dick, as they were called, made another movie called “The V.I.P.s”

I asked my mother, “What’s a vip?”

“It’s pronounced v, i, p. It means, Very Important Person,” and then she explained what that meant. 

That film was also classified as “Adult Entertainment”, so I couldn’t see that one, either. 

I suppose I was precocious. At the age of 8, I was reading the Entertainment section of the Toronto Telegram; mostly the movie reviews. I was nuts about movies. I wanted to be a movie star when I grew up. When I was 10, I read a review of the foreign film, “Night Games”, directed by actress Mai Zetterling. The review mentioned a scene with a boy, in bed, masturbating under the covers, while his mother was reading to him. 

“Daddy, what does “masturbating” mean?”

“Don’t you know?,” he responded, looking very embarrassed. 

“No.”

He hesitated, then replied, “Well, you’ll find out, one day.” 

End of discussion. 

I watched lots of classic films, on our black and white TV, growing up. “Picnic”, “The Bad Seed”, “Suddenly, Last Summer” (starring Liz) and “Something Wild” (starring Carroll Baker) come to mind. I would watch them, again, and again. 

I was an outcast because I was very girlish, loved Barbie dolls and played skipping with the girls. I also loved “dress up”, i.e. drag. (I did have a few girlfriends to play dolls with, however.) My mom would let me wear her jewellery and dresses. The other kids were mean. They would follow me home from school, in groups, chanting, “Philip is a girl. Philip plays with dolls.” I’d come home for lunch, crying. My mother was a stay at home Mom, raising 5 kids, plus my niece, Julia. (My oldest sister got pregnant at 15 and ended up a single mom.) Mom was no real help in dealing with the taunting. She’d say, “When people are mean, you have to be extra nice to them. Then, they’ll feel guilty.”  Well, as you can imagine, that didn’t help matters, at all. 

Then, in Grade 5, Ian came into my life. He emigrated from England, with his family. We became almost inseparable. And he loved movies, too. We got a weekly paper route, The Scarborough Mirror, in Grade 5, which financed our movie going. Every Saturday, from the age of 11, we would go downtown, from Scarborough, on the TTC, and go to movies. We’d see a movie in the afternoon, have a meal, then see another movie in the evening. One Saturday, we saw 4 movies, starting in the morning. The Downtown Cinema, in a basement on Yonge Street, north of Dundas, played double features of Elvis Presley films and things like, “Get Yourself a College Girl”, starring Chad Everett, starting at 9:30 a.m. 

My oldest brother, John, had been going there for years. He’d come home and talk about the Beach Party movies with Frankie and Annette. I was too young to go and jealous as hell. He’d also go to all the amazing clubs on Yonge Street, in the 1960s, and see the soul singers. Toronto, at that time, had wonderful live entertainment. The black transgender soul singer, Jackie Shane, was very popular. I was too young to get into the clubs. John would rave about Jackie and tell stories about her. (Jackie was living as a man, back then.) I was so upset that I couldn’t see her live. 

Judy Garland played at the O’Keefe Centre, in 1965, and I couldn’t see her, either. (I couldn’t afford the tickets.)

When I was 11, I managed to get a modeling agent and a talent agent for acting jobs. My first go-see was for a colour spread in the Toronto Telegram. I was interviewed by two men in a room at the Judy Welch Modeling Agency. It was quite obvious they didn’t like me. In the waiting room, one of the mothers told me about Producers’ Services, a talent agency run by Molly Petty, Dini Petty’s mother. I went to an interview with Molly and she sent me on an audition for a TV commercial. Get this: It was in a hotel room at the King Edward Hotel. I went downtown, by myself, to the audition, at 11 years old!! Of course, I was nervous. The hotel room was a suite with a living room and a bedroom. I saw a well-dressed middle aged woman come out of the front door of the hotel room. I recognized her from TV. She smiled at me with very sympathetic eyes. In 2020, can you imagine letting your 11 year old son go to a hotel room, alone, to an audition?! And my parents thought nothing of it. It never occurred to me that I could possibly be in danger. It WAS a legitimate audition. I didn’t get the gig. Neither agent sent me out, again. My parents wouldn’t pay for proper headshots. All I had were snapshots taken by my brother’s best friend, who shot pictures for the Scarborough Mirror.

In Grade 9, Ian and his family moved back to England, just before Christmas. I was devastated. However, we were pen pals for years. I even visited him in England, the summer before Grade 13. That’s where I saw the gay-themed British film, “Sunday, Bloody Sunday” and Ken Russell’s wild and brilliant, “The Devils”, by myself, in London, both in one day. Six months later, I came out to Ian. He wrote back wishing me well, “in my new life”, and I never heard from him, again. 

The fall before Ian left, my father paid for me to take acting lessons with Jack Medhurst, a gay, middle aged, Toronto actor. He had a studio and a 50 seat theatre on the second floor of a building at Church and Carlton. (The building is still there.) I was 13 and 14 in an adult class. I was elated and terrified. We did improvisation and Jack taught theatrical make-up, as well. I was also in 3 children’s plays that he directed. I adored acting. I worked with so many excellent actors and would stay behind to watch them rehearse adult plays, such as, “Barefoot in the Park”. 

During the run of the first play, I got a splitting headache from nerves. After I exited, I threw up in the wings. Three other actors, also playing pirates, exited right after me, stepping over my vomit. 

I studied with Jack for one year. My dreams of stardom came crashing down when my mother said they couldn’t afford to send me for a second year. (“We can’t afford it,” was a mantra, all through my youth.) 

When I was 11, I had two girlfriends. Louann was a foot taller than me. We dated for a year or so. We would slow dance at parties with me standing on a chair. She was a fully developed woman and very sexually precocious. We were the same age but I had yet to go through puberty. She was always showing me her naked body. One day, Louann and I were fooling around in her basement. I was trying to remove her bikini top. She was giggling and flipped over onto my wrist and broke it. (At 9, I broke the other wrist when a bully tripped me on a skating ring.)

With Ian gone, and acting school over, I became a loner. I went to movies on my own. I sent away for a series of books called “The Films of…” One of them was ‘The Films of Marilyn Monroe’. I still have it. The first bio I read about Marilyn was, “Norma Jean”, by Fred Lawrence Guiles. I bought other books about her, as well. I’ve only seen her films on TV, VHS and DVD. The only time I ever saw her on the big screen was a few years ago at a very crowded Dundas Square. They were playing “Gentlemen Prefer Blondes”. I had seen it many times, already, so I only stayed for 10 minutes. The first time I saw “The Misfits” was on my sister’s black and white set in our basement. The tube was old so the actors looked like little people. I had wanted to see it for years and was totally enthralled. Half an hour before it was over, my sister came home, with her date, and made me turn it off. I was so upset. 

In high school, I didn’t have a part time job so I couldn’t afford to see many movies, except on TV. I was gaga for Classic Films. I spent my whole adolescence sleep deprived because I was always watching the Late Show. That created lots of fights with my mom. She believed that everyone should go to bed at 11 pm. I, however, loved the quiet of the night. 

I would go through the TV Guide, circling all the movies I wanted to see. Sometimes, I would watch 2 movies, on TV, in one day. And I had favourite actresses, like Anne Baxter and Lois Nettleton, who did a lot of TV movies and guest shots on series. I was in heaven. And, of course, there was always Marilyn. In Grade 12, one of her movies was on afternoon TV. I desperately wanted to see it. I asked mom if she would write me a note saying I had a dentist appointment. . 

“Okay,” she said. “You’ve been working very hard at school. You deserve it.” 

Liz wasn’t on TV as often as Marilyn was. A year after its release, “Cleopatra” was reclassified so I finally got to see it. It was a visually gorgeous film but rather boring for someone so young. 

I saw a lot of racy Italian films on TV, as a teenager. They were always cut to ribbons and badly dubbed into English. 

Ian wasn’t the first best friend to move away. John Weaver was my best friend in Grades 1 and 2. Then he moved away, too. I learned, at a young age, that friendship can be an ephemeral thing. I had been observing John in school and decided I wanted to be his friend so I followed him home to see where he lived. I boldly knocked on the door. His mother answered. 

“John invited me over to play,” I lied. 

John swore he hadn’t invited me. His mother scolded him and asked me in. We played and I stayed for dinner and we became best friends. 

Fast forward to 2005. I played a drag queen in a play, in a small theatre, at Take a Walk on the Wildside, a B & B/boutique for drag queens. I became friendly with Chrissy, one of the drag queens. We’d chat in the dressing room as I prepared for the play and he got ready to go out on the town. A few years later, Chrissie was hospitalized with cancer. The owner of the boutique asked me if I would help pack up his stuff, on Boxing Day, because he’d sold his house. I thought to myself, “Why am I doing this on Boxing Day?” I had nothing else planned and I figured it’s always a good thing to help people. In his bedroom, I picked up an inactivated credit card sitting on a dresser. The name on it was John Weaver. Right then, the phone rang. It was Chrissie calling from the hospital to see how things were progressing. I told him I had found the card and asked him if he went to St. Andrews Public School. It was the same John Weaver! He died soon after but I did get to visit him one more time in the hospital. So I knew him as a very young child and was reunited with him, at the end. 

One incident connected with movie-going sticks out in my mind. I was 16, walking up Yonge Street after seeing an afternoon movie. There was a 30 something woman walking with her young son. Following them was a middle aged street person, saying lewd and sexually explicit things to the little boy. It was truly shocking. The mother was saying, “Oh, you’re a horrible person”, trying to get away from him. The little boy had a silly smirk on his face. I can’t imagine he understood what was being said to him. To this day, I can’t forget it. 

 “Who’s Afraid of Virginia Woolf”, starring Liz and Dick, was released to great fanfare in 1966. I was only 12 so that was another film I wasn’t allowed to see. It was very controversial for its time, using very frank language for the sixties. My parents went to see it and came home raving. I eventually saw it, a few years later, severely censored, on TV. It was brilliant despite the hack job.

I wanted to be an actor from the age of 4, watching The Mickey Mouse Club on TV, wishing I were one of the children on the show. Annette Funicello, one of the Mouseketeers, was one of my favourite actresses, along with Hayley Mills.  I would sit in front of the TV, in semi drag, watching the show. I used socks for breasts and rolled up long underwear as a wig. 

When I was 13, “Cat on a Hot Tin Roof” and “Butterfield 8”, both starring Liz, were rereleased on a double bill. Ian’s mother forbade him to go, saying he was too young for such movies, so I saw it with a sibling. Even at that age, I could understand that “Cat” had a gay subtext, even though it had been totally neutralized compared to the play. A child’s admission price was 35 cents. 

Now, as an adult, I have so many of Marilyn and Elizabeth’s films on DVD or VHS, as well as numerous books about them. When Liz died, Christie’s published two fabulous catalogues of her jewels. I had thrown out my bed because of a bed bug outbreak in my apartment building. With $99 in the bank, enough for a new futon or the catalogues, I chose Liz over my own comfort. I’ve spent many happy hours drooling over pictures of her magnificent jewellery. I never got around to buying a new bed. 

Nowadays, I really don’t enjoy going to the movies. There are too many distractions from rude, inconsiderate people. I go, perhaps, once a year. I’d much rather watch a film from the comfort of my home. But I still love movies and I still love Marilyn Monroe and Elizabeth Taylor.

For more about Philip, please check out his website! philipcairns.com

Killer B Cinema presents: Mahakaal

To kick-off October (aka The Month Of Halloween) Killer B Cinema is showing the 1993 Indian horror film classic Mahakaal (more info below)! We will also have a cartoon or short and all for the low, low price of $5. That’s right FIVE DOLLARS! And there will be trivia with prizes! Audience Participation approved!

Dress-up in your Halloween best for our Spooktacular raffle prize!

Doors open at 8 pm and movie begins at 8:30. (Facebook invite: https://www.facebook.com/events/646529995832115/)

Movie info:

Mahakaal (also known as The Monster and Time of Death) is a 1993 Indian horror film. It was directed by Shyam Ramsay and Tulsi Ramsay and is a ripoff of the American horror film franchise A Nightmare on Elm Street. The film soundtrack was composed by Anand–Milind, and the background score was composed by K. J. Sing, Y.V. Tyagi and Vishal.

Info about See-Scape:

Our movies will be shown on the second floor! There are two bars available in See-Scape. The bar is open on the second floor during our event and is cash only. Debit/Credit purchases are available on the main floor. See-Scape also has an amazing menu. To learn more about See-Scape, please click here! https://www.seescapeto.com/

How to get there:

See-Scape is located at 347 Keele Street and the event space is on the second floor. There are a few ways to get to See-Scape.

From Keele Station — take the 41, 89 or 989 bus north. Get off just before Dundas. It is about a 5 minute bus ride from the station. (You can also walk from Keele Station in approximately 15 minutes).

From Dundas West Station — Take the 40 Junction bus. Get off at Keele, then walk south on Keele. See-Scape is a few buildings down. It is approximately a 10 minute bus ride from the station.

Parking:
There is a Green P parking lot beside See-Scape and a few other paid parking lots close by.

Each month join Lizzie Violet & Zoltan Du Lac for killer B-moves from the 1930s to present! Please like our page @killerbcinema so you don’t miss an invite.

Thank you to the See-Scape and their staff! They make our monthly event extra amazing!

We hope to see you at See-Scape.

Killer B Cinema Presents: Don’t Open Till Christmas and Turkish Wizard of Oz

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Facebook Invite: https://www.facebook.com/events/818261015187264/

December Killer B Cinema has a special Christmas double bill because … tis the season for killing!!! Don’t Open Till Christmas and Turkish Wizard of Oz will not disappoint! AND Turkish Wizard of Oz is a Killer B Cinema exclusive! We are showing the only known copy with subtitles. The perfect double bill and all for the low, low price of $5. That’s right FIVE DOLLARS! And there will be trivia with prizes! Audience Participation approved!

Doors (back performance space) open at 8 pm and the movies begin at 8:30 pm.

Don’t Open Till Christmas is a 1984 British horror film directed by Edmund Purdom. It was written by Derek Ford and Alan Birkinshaw.

Ayşecik ve Sihirli Cüceler Rüyalar Ülkesinde (Little Ayşe and the Magic Dwarfs in the Land of Dreams) is a 1971 film by Turkish film director Tunç Başaran, an uncredited and very close adaptation by Hamdi Değirmencioğlu of L. Frank Baum’s The Wonderful Wizard of Oz. The film was produced by Özdemir Birsel for Hisar (Citadel) Film.

Each month join Lizzie Violet & Zoltan Du Lac for a double bill of B-moves from the 1930s to 1980s!

Thank you to the Imperial Pub and their staff! They make our monthly event extra amazing!

We hope to see you at The Imperial!

Interview with Foote and Friends on Film

Hello!

Please check out our recent interview with Foot and Friends on Film. The interview was by the multi-talented Heather Babcock!

http://footeandfriendsonfilm.com/2018/08/18/interview-with-killer-b-cinema/
Please also check out our next show on September 1st!

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Killer B Cinema: Battle in Outer Space & Turkish Star Trek

killer-b-cinema-postcard__sep-2018September Killer B Cinema has an outta this world double bill!!! Battle in Outerspace and Turkish Star Trek will not disappoint! The perfect double bill and all for the low, low price of $5. That’s right FIVE DOLLARS! And there will be trivia with prizes! Spacesuits are optional! Audience Participation approved!

Doors (back performance space) open at 8 pm and the movies begin at 8:30 pm.

Imperial Pub

54 Dundas St E, Toronto, Ontario M5B1C7

Battle in Outer Space is a 1959 Japanese science fiction film produced by Toho Studios. Directed by Ishirō Honda and featuring special effects by Eiji Tsuburaya, the film starred Ryo Ikebe, Koreya Senda and Yoshio Tsuchiya.

The film was released theatrically in the United States in the summer of 1960 by Columbia Pictures.

Turkish Star Trek is a 1973 Turkish cult comedy/drama science fiction film, produced and directed by Hulki Saner, featuring Sadri Alışık as a Turkish hobo who is beamed aboard the Starship Enterprise.

Each month join Lizzie Violet & Zoltan Du Lac for a double bill of B-moves from the 1930s to 1980s!

Thank you to the Imperial Pub and their staff! They make our monthly event extra amazing!

We hope to see you at The Imperial!

Facebook Invite: https://www.facebook.com/events/456204541455651/

Killer B Cinema Presents: Starcrash and Plan 9 from Outer Space!

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July Killer B Cinema is out of this world! Starcrash and Plan 9 From Outer Space will not disappoint! The perfect double bill and all for the low, low price of $5. That’s right FIVE DOLLARS! And there will be trivia with prizes! Spacesuits are optional! Audience Participation approved!

Doors (back performance space) open at 8 pm and the movies begin at 8:30 pm.
Where: The Imperial Pub Performance Space, 54 Dundas Street East
Facebook Invite: https://www.facebook.com/events/1963093910686899/
Facebook page: https://www.facebook.com/killerbcinema/

Starcrash (94 minutes) is a 1978 American space opera film directed by Luigi Cozzi and written by Cozzi and Nat Wachsberger. The cast includes Marjoe Gortner, Caroline Munro, Christopher Plummer, David Hasselhoff and Joe Spinell.

Plan 9 from Outer Space (80 minutes) (originally titled Grave Robbers from Outer Space) is a 1959 American independent black and white science fiction film, written, produced, directed, and edited by Ed Wood, that stars Gregory Walcott, Mona McKinnon, Tor Johnson and Vampira (Maila Nurmi). The film also posthumously bills Bela Lugosi as a star (silent footage of the actor had actually been shot by Wood for another, unfinished film just prior to Lugosi’s death in August 1956). Plan 9 from Outer Space was released theatrically in 1959 by Distributors Corporation of America (then credited as Valiant Pictures).

A huge thank you to this month’s prize sponsors! The Haunted Walk, Jeff CottrillLisa de NikolitsCaroline ColantonioSupertashToronto Poetry Slam AND a raffle for a special Plan 9 From Outerspace creation by Unravelled: Crocheted Items by Carlin!

Each month join Lizzie Violet & Zoltan Du Lac for a double bill of B-moves from the 1930s to 1970s!

Thank you to the Imperial Pub and their staff! They make our monthly event extra amazing!

We hope to see you at The Imperial!

Important: The Imperial Performance Space is a licensed establishment, outside alcohol is not allowed. Anyone in possession of outside alcohol will be banned from both the event and the establishment. We appreciate your co-operation in this matter.

Killer B Cinema: Santo & Blue Demon vs The Monsters and Kilink

June is International Fight Club Month and do we have some monsters for you for you. Kilink and Santo & The Blue Demon vs The Monsters will not disappoint! The perfect double bill and all for the low, low price of $5. That’s right FIVE DOLLARS! And there will be trivia with prizes! Lucha Libre masks are optional! Audience Participation Approved!

Doors (back performance space) open at 8 pm and the movies begin at 8:30 pm.
Where: The Imperial Pub Performance Space, 54 Dundas Street East
Facebook Invite: https://www.facebook.com/events/158830411451532/
Facebook page: https://www.facebook.com/killerbcinema/

Kilink: Strip and Kill! (1967 — 93 minutes running time) Kilink is between 2 rival gangs and manages to turn one against the other. All of them are after a precious microfilm and a big foreign treasure. Kilink proves to be the most perfect Fantomas of them all, changing disguises more often than he changes socks.

Santo & The Blue Demon vs The Monsters (1970 — 85 minutes running time) To foil his plan for world domination, wrestling superheroes El Santo and Blue Demon battle the mad Dr. Halder and his army of reanimated monsters.

Each month join Lizzie Violet & Zoltan Du Lac for a double bill of B-moves from the 1930s to 1970s!

Thank you to the Imperial Pub and their staff! They make our monthly event extra amazing!

We hope to see you at The Imperial!

True Crime Podcasts I’m Listening To

Once upon a time, I had an obsession with pulp novels and Film Noir movies… hold on… wait one darn minute… Ok. Ok! I still do. What’s with this once upon a time crap. It’s true, I love reading trashy 1940s and 50s pulp fiction and there is a beautiful satisfaction watching a femme fatale get some dark and dirty revenge on the person who wronged her. Oh. Yes. There. Is. I rarely read or watch modern books or movies, unless they independent. I’d rather drift off into another era and enjoy the masters at their craft. Give me a pre-code or film noir movie any day or a novella from the 1920s. During my commutes to work, I would always have a book to read and eventually I started getting into podcasts. I’m now obsessed with them. I am a full-time writer now and no longer take that daunting trip via transit on a daily basis any longer. The only thing I missed was that time I had to read or listen to a podcast. Now I listen to them before I begin writing. It helps to wake up my creative juices.

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Over the last few years, True Crime Podcasts have become increasingly popular. There are chatty podcasts like My Favorite Murder or ones that more news-driven, including having experts on their shows like Murder Was the Case. The beauty of a podcast is that you don’t always need access to WiFi to stream them. Many podcast apps will let you download them so you can listen to them at your leisure. I currently use PlayerFM. They have an extensive list of podcasts that pretty much cover everyone’s interests. I was thankful to have that app during my recent, fours hours both way, trip to my parent’s house.

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Whether or not you want to personally admit it, as humans, we are all interested in hearing or reading about the darker side of humanity. I honestly feel like this is the reason there has been an explosion of True Crime podcasts, blogs and YouTube channels of late. Podcasts are also an alternative to books on tape. It’s less of a commitment when the story may only take up an hour of your time.

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I have compiled a list of my favourites below. There is a mix of real life and fiction. The link will take you into PlayerFM. I’m not saying you should use that particular app, it’s just a fast way for you to access the podcast and information if you are intrigued by the title. There are descriptions of what the podcast is about for each individual podcast on their website.

What podcasts are you listening to? Do you have any True Crime Podcasts you’d like to suggest? Please let us know.

Alice Isn’t Dead

Bloody Murder – A True Crime Podcast

Canadian True Crime

Darker Projects: Night Terrors

Final Girls Horrorcast

Hollywood & Crime

Last Podcast On The Left

Murder Was The Case

Missing & Murdered: Finding Cleo

My Favorite Murder with Karen Kilgariff and Georgia Hardstark

Once Upon A Crime | True Crime

Post Mortem with Mick Garris

Serial Killer Documentary Podcast

Serial Killers

The Minds of Madness – True Crime Stories

The Serial Killer Podcast

The Strange and Unusual Podcast

This Podcast Will Kill You

True Crime Garage

True Crime Historian

Undone

Unsolved Murders: True Crime Stories

Welcome to Night Vale

Killer B Cinema Presents Japanese Monster Attack double bill!

May is Japanese Monster Attack month and do we have some monsters for you for you. Frankenstein vs Baragon and Gamera will not disappoint! The perfect double bill and all for the low, low price of $5. That’s right FIVE DOLLARS! And there will be trivia with prizes!

Doors (back performance space) open at 8 pm and the movies begin at 8:30 pm.
Where: The Imperial Pub Performance Space, 54 Dundas Street East
Facebook Invite: https://www.facebook.com/events/158830411451532/
Facebook page: https://www.facebook.com/killerbcinema/

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Frankenstein vs. Baragon (also known as Frankenstein Conquers the World ) is a Japanese-American 1965 science fiction kaiju film co-produced by Toho, Henry G. Saperstein Enterprises, and Benedict Productions. The film is directed by Ishirō Honda with special effects by Eiji Tsuburaya and stars Nick Adams, Kumi Mizuno, Tadao Takashima, with Koji Furuhata as Frankenstein and Haruo Nakajima as Baragon. The screenplay is credited to Takeshi Kimura, with the story credited to Reuben Bercovitch based on a synopsis by Jerry Sohl.

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The film was released theatrically in the United States in the summer of 1966 by American International Pictures. The following year, Toho/UPA produced a sequel titled The War of the Gargantuas.

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Gamera is a fictional giant monster or kaiju originating from a series of Japanese tokusatsu films of the same name. He first appeared in Daiei Film’s 1965 film Gamera: The Giant Monster, which was initially produced to rival the success of Toho’s Godzilla; however, Gamera has gained fame and notoriety as a Japanese icon in his own right. The character has appeared in other media such as comic books and video games.

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Each month join Lizzie Violet & Zoltan Du Lac for a double bill of B-moves from the 1930s to 1970s!

Thank you to the Imperial Pub and their staff! They make our monthly event extra amazing!

We hope to see you at The Imperial!